{"id":1167,"date":"2026-08-06T09:52:42","date_gmt":"2026-08-06T07:52:42","guid":{"rendered":"http:\/\/gbook-rebuild.local\/pocity-a-emoce\/"},"modified":"2026-08-06T14:55:16","modified_gmt":"2026-08-06T12:55:16","slug":"pocity-a-emoce","status":"publish","type":"page","link":"https:\/\/g-book.eu\/cs\/tematicke-rady\/pocity-a-emoce\/","title":{"rendered":"Pocity a emoce"},"content":{"rendered":"\r\n<p><em>Tematickou \u0159adu zpracovala Univerzita Paris 13 (Francie)<\/em> <strong>\u00a0<\/strong> D\u011btsk\u00e9 knihy jsou \u010dasto hodnoceny z pohledu jejich prosp\u011b\u0161nosti a vzd\u011bl\u00e1vac\u00edho z\u00e1m\u011bru. D\u016fvodem je v\u00fdznamn\u00e1 role pedagogiky v d\u011btsk\u00e9 literatu\u0159e. Tento rozm\u011br by v\u0161ak nem\u011bl v\u00e9st k opom\u00edjen\u00ed liter\u00e1rn\u00edho, estetick\u00e9ho \u010di um\u011bleck\u00e9ho aspektu d\u011btsk\u00fdch knih. Pocity a emoce se nach\u00e1zej\u00ed na pr\u016fse\u010d\u00edku t\u011bchto dvou z\u00e1kladn\u00edch aspekt\u016f literatury pro ml\u00e1de\u017e a kombinuj\u00ed dva r\u016fzn\u00e9 a paraleln\u00ed p\u0159\u00edstupy. D\u011btsk\u00e9 knihy \u2013 zejm\u00e9na obr\u00e1zkov\u00e9 knihy \u2013 toti\u017e obvykle p\u0159ev\u00e1d\u011bj\u00ed emoce a pocity do slov a obraz\u016f. Emocion\u00e1ln\u00ed a citov\u00e9 pro\u017eitky jsou z\u00e1rove\u0148 \u00fazce spjaty se samotn\u00fdm \u010dten\u00edm, a d\u00edky s\u00edle, p\u0159esnosti a k\u0159ehkosti slov a obraz\u016f jsou tak pro mlad\u00e9 \u010dten\u00e1\u0159e snadno srozumiteln\u00e9. Pocity a emoce jsou tedy ot\u00e1zkou reprezentace a percepce. Zaji\u0161\u0165uj\u00ed spr\u00e1vn\u00e9 fungov\u00e1n\u00ed procesu u\u010den\u00ed a z\u00e1bavy, kter\u00fd charakterizuje literaturu pro ml\u00e1de\u017e, a z\u00e1rove\u0148 vytv\u00e1\u0159ej\u00ed emocion\u00e1ln\u00ed vazby, r\u016fzn\u00e9 ve sv\u00e9 form\u011b, intenzit\u011b a intencionalit\u011b, mezi d\u011btmi a knihami. Prost\u0159ednictv\u00edm emoc\u00ed a pocit\u016f mohou d\u011bti c\u00edtit empatii s fiktivn\u00edmi postavami nebo naopak mohou reagovat s odporem \u010di odm\u00edtnut\u00edm. V p\u0159\u00edpad\u011b genderov\u00fdch identit hraj\u00ed emocion\u00e1ln\u00ed a citov\u00e9 prvky, kter\u00e9 jsou v knih\u00e1ch zobrazov\u00e1ny a u \u010dten\u00e1\u0159stva vyvol\u00e1v\u00e1ny, obzvl\u00e1\u0161t\u011b d\u016fle\u017eitou roli p\u0159i rozv\u00edjen\u00ed d\u011btsk\u00e9ho sebeuv\u011bdom\u011bn\u00ed a jejich vn\u00edm\u00e1n\u00ed ostatn\u00edch a spole\u010dnosti. Emoce, stejn\u011b jako chov\u00e1n\u00ed, jsou \u010dasto p\u0159edm\u011btem stereotypn\u00edch p\u0159edstav: d\u00edvka by nem\u011bla hlasit\u011b vyjad\u0159ovat sv\u016fj n\u00e1zor nebo nad\u0161en\u00ed, nem\u011bla by se p\u0159\u00edli\u0161 hlasit\u011b sm\u00e1t a nem\u011bla by b\u00fdt hrub\u00e1; chlapec by nem\u011bl plakat, b\u00fdt p\u0159\u00edli\u0161 citliv\u00fd nebo k\u0159ehk\u00fd. Naopak knihy uveden\u00e9 v t\u00e9to bibliografii ukazuj\u00ed, \u017ee city nesouvis\u00ed s pohlav\u00edm: d\u00edvky mohou b\u00fdt na\u0161tvan\u00e9 (<a href=\"https:\/\/g-book.eu\/bibliography\/la-vie-de-lunique-letonnante-la-spectaculaire-la-miraculeuse-lara-schmitt\/\"><em>Lara Schmitt<\/em><\/a>), rozlad\u011bn\u00e9 nebo hlu\u010dn\u00e9 (<a href=\"https:\/\/g-book.eu\/bibliography\/vaffelhjarte\/\"><em>Vaffelhjarte<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/wild\/\"><em>Wild<\/em><\/a>) a nemus\u00ed odpov\u00eddat p\u0159edstav\u011b rozumn\u00e9 hodn\u00e9 hol\u010di\u010dky (<a href=\"https:\/\/g-book.eu\/bibliography\/serafina-and-the-black-cloak\/\"><em>\u0421\u0435\u0440\u0430\u0444\u0438\u043d\u0430 \u0438 \u0447\u0435\u0440\u043d\u0438\u044f\u0442 \u043f\u043b\u0430\u0449 \/ Serafina and the Black Cloak<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/momo-tome-1\/\"><em>Momo<\/em><\/a>) nebo kr\u00e1sky (<a href=\"https:\/\/g-book.eu\/bibliography\/sophies-misfortunes\/\"><em>Les malheurs de Sophie<\/em><\/a>); kluci se mohou b\u00e1t (<a href=\"https:\/\/g-book.eu\/bibliography\/into-the-forest\/\"><em>Into the forest<\/em><\/a>), b\u00fdt jemn\u00ed, nesm\u011bl\u00ed a k\u0159ehc\u00ed (<a href=\"https:\/\/g-book.eu\/bibliography\/nils-barbie-et-le-probleme-du-pistolet\/\"><em>Nils, Barbie<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/a-boy-called-hope\/\"><em>A boy called Hope<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/willy-the-dreamer\/\"><em>Willy the dreamer<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/benito-y-su-carrito\/\"><em>Benito y su carrito<\/em><\/a>). N\u011bkter\u00e9 knihy z t\u00e9to bibliografie tak\u00e9 tak\u00e9 reprezentuj\u00ed d\u011bti, kter\u00e9 obt\u00ed\u017en\u011b kontroluj\u00ed sv\u00e9 emoce, nap\u0159\u00edklad d\u011bti s autismem (<a href=\"https:\/\/g-book.eu\/bibliography\/e-non-e\/\"><em>\u00c8 non \u00e8<\/em><\/a>) nebo ty, kter\u00e9 v d\u016fsledku traumatizuj\u00edc\u00edho pro\u017eitku trp\u00ed r\u016fzn\u00fdmi poruchami (<a href=\"https:\/\/g-book.eu\/bibliography\/the-goldfish-boy\/\"><em>The goldfish boy<\/em><\/a>). N\u011bkter\u00e9 knihy popisuj\u00ed v\u00fdvoj t\u011bchto emoc\u00ed, kter\u00e9 mohou proj\u00edt radik\u00e1ln\u00ed prom\u011bnou a zm\u011bnit charakter postavy: neohraban\u00e1 a plach\u00e1 postava se m\u016f\u017ee pozd\u011bji st\u00e1t impulzivn\u00ed, dobrodru\u017enou a zm\u011bnit se k nepozn\u00e1n\u00ed bu\u010f vlivem magie (<a href=\"https:\/\/g-book.eu\/bibliography\/la-scimmia-nella-biglia\/\"><em>La scimmia nella biglia<\/em><\/a>), nebo s pomoc\u00ed rodi\u010d\u016f \u010di jin\u00fdch postav (<a href=\"https:\/\/g-book.eu\/bibliography\/%d1%88%d1%83%d0%bc%d0%be%d0%bb%d0%b5%d0%bd%d0%b5%d1%82%d0%be\/\"><em>B\u0428\u0443\u043c\u043e\u043b\u0435\u043d\u0435\u0442\u043e \/ The rustling<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/%d0%ba%d0%b0%d0%ba-%d1%81%d0%b5-%d0%bb%d0%b5%d0%ba%d1%83%d0%b2%d0%b0-%d0%bb%d1%8a%d0%b2%d1%81%d0%ba%d0%b8-%d1%81%d1%82%d1%80%d0%b0%d1%85-%d0%b1%d0%b5%d0%b7-%d0%bf%d0%b5%d1%80%d0%b4%d0%b0%d1%85\/\"><em>\u041a\u0430\u043a \u0441\u0435 \u043b\u0435\u043a\u0443\u0432\u0430 \u043b\u044a\u0432\u0441\u043a\u0438 \/ How to treat Lion\u2019s fear<\/em><\/a>). Jindy jim m\u016f\u017ee zm\u011bna pomoci p\u0159ekonat jejich zdravotn\u00ed probl\u00e9my (<a href=\"https:\/\/g-book.eu\/bibliography\/the-goldfish-boy\/\"><em>The goldfish boy<\/em><\/a>). Tato tematick\u00e1 \u0159ada tak\u00e9 p\u0159edstavuje rozd\u00edly mezi d\u011btmi z hlediska sexu\u00e1ln\u00ed a genderov\u00e9 identity. Toto t\u00e9ma lze prezentovat n\u011bkolika zp\u016fsoby a p\u0159istupovat k n\u011bmu z r\u016fzn\u00fdch \u00fahl\u016f pohledu (biologick\u00e9ho, psychologick\u00e9ho, soci\u00e1ln\u00edho, kulturn\u00edho atd.). Bez ohledu na zvolen\u00fd \u00fahel pohledu se tyto knihy sna\u017e\u00ed zprost\u0159edkovat pozitivn\u00ed poselstv\u00ed o rozmanitosti, rozd\u00edlech a individualit\u011b s d\u016frazem na hodnotu respektu, schopnost harmonick\u00e9ho sou\u017eit\u00ed a odstra\u0148ov\u00e1n\u00ed stereotyp\u016f (<a href=\"https:\/\/g-book.eu\/bibliography\/histoire-de-julie-qui-avait-une-ombre-de-garcon\/\"><em>Histoire de Julie<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/fille-ou-garcon\/\"><em>Fille ou gar\u00e7on?<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/cest-quoi-etre-une-fille-cest-quoi-etre-un-garcon\/\"><em>C\u2019est quoi \u00eatre une fille?<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/le-femmine-non-mi-piacciono-perche\/\"><em>Le femmine non mi piacciono perch\u00e9<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/i-maschi-non-mi-piacciono-perche\/\"><em>I maschi non mi piacciono perch\u00e9<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/mademoiselle-zazie-et-la-robe-de-max\/\"><em>Mademoiselle Zazie<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/boucle-dours\/\"><em>Boucle d\u2019ours<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/el-vestido-de-mama\/\"><em>El vestido de mam\u00e1<\/em><\/a>) Emoce mohou b\u00fdt psychologick\u00fdmi a fyziologick\u00fdmi reakcemi na ur\u010ditou situaci a mohou b\u00fdt velmi rozmanit\u00e9, od radosti (<a href=\"https:\/\/g-book.eu\/bibliography\/anna-liza-and-the-happy-practice\/\"><em>Anna Liza<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/piselli-e-farfalline-son-piu-belli-i-maschi-o-le-bambine\/\"><em>Piselli e farfalline<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/vaffelhjarte\/\"><em>Vaffelhjarte<\/em><\/a>) p\u0159es smutek (<a href=\"https:\/\/g-book.eu\/bibliography\/mio-nonno-era-un-ciliegio\/\"><em>Mio nonno era un ciliegio<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/momo-tome-1\/\"><em>Momo<\/em><\/a>), a\u017e po hn\u011bv (<a href=\"https:\/\/g-book.eu\/bibliography\/angry-arthur\/\"><em>Angry Arthur<\/em><\/a>) \u010di \u0161patnou n\u00e1ladu (<a href=\"https:\/\/g-book.eu\/bibliography\/the-bad-mood-and-the-stick\/\"><em>The bad mood and the stick<\/em><\/a>). \u010cten\u00ed se tak st\u00e1v\u00e1 prost\u0159edkem k prozkoum\u00e1n\u00ed vlastn\u00edch emoc\u00ed i emoc\u00ed ostatn\u00edch. Jen m\u00e1lo knih nab\u00edz\u00ed homogenn\u00ed pohled na emoce: naopak, p\u0159evl\u00e1d\u00e1 rozmanitost, pluralita a transformace. Emoce a pocity jsou nav\u00edc b\u011b\u017enou a sd\u00edlenou zku\u0161enost\u00ed (<a href=\"https:\/\/g-book.eu\/bibliography\/the-bad-mood-and-the-stick\/\"><em>The bad mood and the stick<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/lalfabeto-dei-sentimenti\/\"><em>L\u2019alfabeto dei sentimenti<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/piselli-e-farfalline-son-piu-belli-i-maschi-o-le-bambine\/\"><em>Piselli e farfalline<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/what-are-you-playing\/\"><em>A quoi tu joues\u00a0?),<\/em><\/a> nikdy v\u0161ak monot\u00f3nn\u00ed (<a href=\"https:\/\/g-book.eu\/bibliography\/lune-belle-lautre-pas\/\"><em>L\u2019une belle<\/em><\/a>). \u010c\u00edst a za\u017e\u00edvat emoce skrze literaturu, slova a obr\u00e1zky \u010dasto znamen\u00e1 pro\u017e\u00edvat nejen pluralitu postav a jejich chov\u00e1n\u00ed (<a href=\"https:\/\/g-book.eu\/bibliography\/lalfabeto-dei-sentimenti\/\"><em>L\u2019alfabeto dei sentimenti<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/raymie-nightingale\/\"><em>Raymie Nightingale<\/em><\/a>), ale tak\u00e9 rovnost v rozmanitosti na principu pochopen\u00ed r\u016fzn\u00fdch identit na z\u00e1klad\u011b genderu, v\u011bku \u010di kultury. \u00a0 Mezi touto velmi rozmanitou a komplexn\u00ed \u0161k\u00e1lou emoc\u00ed se ve vybran\u00fdch knih\u00e1ch \u010dasto objevuj\u00ed dva obzvl\u00e1\u0161t\u011b intenzivn\u00ed pocity: na jedn\u00e9 stran\u011b l\u00e1ska a p\u0159\u00e1telstv\u00ed, na druh\u00e9 stran\u011b smutek, \u010dasto spojen\u00fd se ztr\u00e1tou. L\u00e1ska je siln\u00fd pocit, kter\u00fd d\u011bti mohou za\u017e\u00edt ji\u017e v ran\u00e9m v\u011bku, ale mohou m\u00edt pot\u00ed\u017ee jej vyj\u00e1d\u0159it. Lze k n\u00ed p\u0159istupovat jednodu\u0161e a srozumiteln\u011b (<a href=\"https:\/\/g-book.eu\/bibliography\/hellou-og-guddbai-og-hostens-regn\/\"><em>Au revoir et bon vent<\/em><\/a>) a neopom\u00ednat p\u0159i tom l\u00e1sku\u00a0 lid\u00ed stejn\u00e9ho pohlav\u00ed (<a href=\"https:\/\/g-book.eu\/bibliography\/la-princesa-li\/\"><em>La princesa Li<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/el-principe-enamorado-cuento-para-ninos-y-ninas-basado-en-una-historia-real\/\"><em>El pr\u00edncipe enamorado<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/jerome-by-heart\/\"><em>J\u00e9r\u00f4me par c\u0153ur<\/em><\/a>). L\u00e1ska je tak\u00e9 za\u017e\u00edv\u00e1na v rodin\u011b, a\u0165 u\u017e mezi rodi\u010di a d\u011btmi nebo mezi sourozenci (<a href=\"https:\/\/g-book.eu\/bibliography\/mum\/\"><em>Mam\u00e1<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/mi-familia-es-de-otro-mundo\/\"><em>Mi familia es de otro mundo<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/raymie-nightingale\/\"><em>Raymie Nightingale<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/e-non-e\/\"><em>\u00c8 non \u00e8<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/lune-belle-lautre-pas\/\"><em>L\u2019une belle<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/the-tunnel\/\"><em>The tunnel<\/em><\/a>). Stejn\u011b tak je z\u00e1kladem mnoha p\u0159\u00edb\u011bh\u016f pro ml\u00e1de\u017e i p\u0159\u00e1telstv\u00ed (<a href=\"https:\/\/g-book.eu\/bibliography\/anna-liza-and-the-happy-practice\/\"><em>Anna Liza<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/raymie-nightingale\/\"><em>Raymie Nightingale<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/ice-in-the-jungle\/\"><em>Ice in the jungle<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/on-sudden-hill\/\"><em>On Sudden Hill<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/momo-tome-1\/\"><em>Momo<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/la-vie-de-lunique-letonnante-la-spectaculaire-la-miraculeuse-lara-schmitt\/\"><em>Lara Schmitt<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/vaffelhjarte\/\"><em>Vaffelhjarte<\/em><\/a>). Tyto knihy tak\u00e9 \u010dasto zobrazuj\u00ed \u017e\u00e1rlivost jako doprovodn\u00fd jev p\u0159\u00e1telstv\u00ed (<a href=\"https:\/\/g-book.eu\/bibliography\/on-sudden-hill\/\"><em>On Sudden Hill<\/em><\/a>) nebo l\u00e1sky (<a href=\"https:\/\/g-book.eu\/bibliography\/hellou-og-guddbai-og-hostens-regn\/\"><em>Au revoir et bon vent<\/em><\/a>). Tak\u00e9 smrt \u010dasto zas\u00e1hne postavy v knih\u00e1ch a mlad\u00e9 \u010dten\u00e1\u0159stvo se do nich m\u016f\u017ee vc\u00edtit. V knih\u00e1ch toti\u017e z\u00edskaj\u00ed slova a obrazy k pocit\u016fm, kter\u00e9 mo\u017en\u00e1 sami za\u017eily*i nebo za\u017eij\u00ed. Z\u00e1rmutek je \u010dasto zp\u016fsoben ztr\u00e1tou prarodi\u010d\u016f (<a href=\"https:\/\/g-book.eu\/bibliography\/aldabra-la-tartaruga-che-amava-shakespeare\/\"><em>Aldabra<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/mio-nonno-era-un-ciliegio\/\"><em>Mio nonno era un ciliegio<\/em><\/a>;\u00a0<a href=\"https:\/\/g-book.eu\/bibliography\/%d0%b6%d0%b8%d0%b2%d0%be%d1%82-%d0%bd%d0%b0-%d0%bd%d0%b5%d0%b1%d0%b5%d1%82%d0%be-%d1%81%d0%bb%d0%be%d0%bd%d1%87%d0%b5%d1%82%d0%b0-%d0%b8-%d0%ba%d0%be%d1%82%d0%b5%d1%82%d0%b0\/\"><em>\u0416\u0438\u0432\u043e\u0442 \u043d\u0430 \u043d\u0435\u0431\u0435\u0442\u043e \/ Life in the sky<\/em><\/a>). Pro\u017e\u00edvan\u00e9 a vyjad\u0159ovan\u00e9 emoce a pocity tak mohou l\u00e9\u010dit (<a href=\"https:\/\/g-book.eu\/bibliography\/anna-liza-and-the-happy-practice\/\"><em>Anna Liza<\/em><\/a>) a pom\u00e1hat r\u016fst (<a href=\"https:\/\/g-book.eu\/bibliography\/witika-hija-de-los-leones\/\"><em>Witika<\/em><\/a>). N\u00e1sil\u00ed, zejm\u00e9na pokud je p\u00e1ch\u00e1no na d\u00edvk\u00e1ch, \u017een\u00e1ch nebo na d\u011btech a lidech pova\u017eovan\u00fdch za odli\u0161n\u00e9, lze \u010delit slovy (<a href=\"https:\/\/g-book.eu\/bibliography\/chiamarlo-amore-non-si-puo-23-scrittrici-raccontano-ai-ragazzi-e-alle-ragazze-la-violenza-contro-le-donne\/\"><em>Chiamarlo amore non si pu\u00f2<\/em><\/a>) a l\u00e1skou (<a href=\"https:\/\/g-book.eu\/bibliography\/the-book-of-everything\/\"><em>\u041a\u043d\u0438\u0433\u0430\u0442\u0430 \u043d\u0430 \u0432\u0441\u0438\u0447\u043a\u0438 \u043d\u0435\u0449\u0430 \/ The book of everything<\/em><\/a>). Jakmile jsou emoce vyj\u00e1d\u0159eny a pochopeny, st\u00e1vaj\u00ed se silou, kter\u00e1 pom\u00e1h\u00e1 l\u00e9pe porozum\u011bt sob\u011b sam\u00fdm i ostatn\u00edm a zpochyb\u0148ovat p\u0159edsudky a stereotypy: koneckonc\u016f, nepoch\u00e1zej\u00ed emoce etymologicky z latinsk\u00e9ho slova emovere, kter\u00e9 znamen\u00e1 pohyb? \u00a0<\/p>\r\n<p><strong>Vybran\u00e9 d\u016fle\u017eit\u00e9 knihy o pocitech a emoc\u00edch<\/strong><\/p>\r\n<ul>\r\n<li>AAVV, <em>Chiamarlo amore non si pu\u00f2. 23 scrittrici raccontano ai ragazzi e alle ragazze la violenza contro le donne<\/em>, Mammeonline, Foggia, 2013.<\/li>\r\n<li>Amavisca, Luis, Rendeiro, Elena, <em>La Princesa Li<\/em>, NubeOcho Ediciones, Madrid, 2015.<\/li>\r\n<li>Browne, Anthony, <em>Into the forest<\/em>, Walker Books, London, 2005.<\/li>\r\n<li>Browne, Anthony, <em>The tunnel<\/em>, Walker Books, London, 2008.<\/li>\r\n<li>Browne, Anthony, <em>Willy the dreamer<\/em>, Walker Books, London, 1997.<\/li>\r\n<li>Carioli, Janna, Possentini, Sonia Maria Luce, <em>L&#8217;alfabeto dei sentimenti<\/em>, Fatatrac, Casalecchio di Reno, 2013.<\/li>\r\n<li>Colfer, Eoin, Robertson, Matt, <em>Anna Liza and the happy practice<\/em>, Barrington Stoke, Edinburgh, 2016.<\/li>\r\n<li>Gandolfi, Silvana, <em>Aldabra: la tartaruga che amava Shakespeare<\/em>, Salano, Milano, 2006.<\/li>\r\n<li>Gandolfi, Silvana, <em>La scimmia nella biglia<\/em>, Salano, Milano, 2012.<\/li>\r\n<li>Haugen, Tormod, <em>Au revoir et bon vent (et la pluie d&#8217;automne)<\/em>, translated from the Norwegian by Jean-Baptiste Coursaud, L\u2019\u00e9cole des loisirs, Paris, 2003.<\/li>\r\n<li>Heinrich, Finn-Ole, <em>La vie de l&#8217;unique, l&#8217;\u00e9tonnante, la spectaculaire, la miraculeuse Lara Schmitt<\/em>, translated from the German by Isabelle Enderlein, Thierry Magnier, Paris, 2015.<\/li>\r\n<li>Hughes, Emily, <em>Wild<\/em>, Flying Eye, London, 2015.<\/li>\r\n<li>\u041c\u0438\u043b\u0447\u0435\u0432\u0430, \u0412\u0435\u043b\u0438\u043d\u0430 (Milcheva, Velina), <em>\u0416\u0438\u0432\u043e\u0442<\/em> <em>\u043d\u0430<\/em> <em>\u043d\u0435\u0431\u0435\u0442\u043e<\/em><em> : <\/em><em>\u0421\u043b\u043e\u043d\u0447\u0435\u0442\u0430<\/em> <em>\u0438<\/em> <em>\u043a\u043e\u0442\u0435\u0442\u0430<\/em> (<em>Life in the sky: Elephants and Kitties<\/em>), \u041f\u0440\u0435\u0441, \u0421\u043e\u0444\u0438\u044f, 2018.<\/li>\r\n<li>Nanetti, Angela, Balbusso, Anna, <em>Mio nonno era un ciliegio<\/em>, Einaudi ragazzi, Trieste, 2017.<\/li>\r\n<li>Oram, Hiawyn, Kitamura, Satoshi, <em>Angry Arthur<\/em>, Anderson Press, London, 2008.<\/li>\r\n<li>Parr, Maria, <em>Srce od vafla<\/em>, translated from the Norwegian by Rado\u0161 Kosovi\u0107, Kreativni centar, Beograd, 2011.<\/li>\r\n<li>\u041f\u043e\u043f\u043d\u0435\u0434\u0435\u043b\u0435\u0432\u0430-\u0413\u0435\u043d\u043e\u0432\u0430, \u041c\u0438\u043b\u0430 (Popnedeleva-Genova, Mila), <em>\u0428\u0443\u043c\u043e\u043b\u0435\u043d\u0435\u0442\u043e<\/em> (<em>The Rustling<\/em>), \u0423\u043b\u0442\u0440\u0430 \u043d\u0435\u0442 \u0415\u041e\u041e\u0414, \u0421\u043e\u0444\u0438\u044f, 2009.<\/li>\r\n<li>Ruiz Johnson, Mariana, <em>Mam<\/em><em>\u00e1<\/em>, Kalandraka, Pontevedra, 2013.<\/li>\r\n<li>Sarah, Linda, Davies, Benji, <em>On Sudden Hill<\/em>, Simon &amp; Schuster Children&#8217;s UK, London, 2014.<\/li>\r\n<li>Scotto, Thomas, Tallec, Olivier, <em>J\u00e9r\u00f4me par coeur<\/em>, Actes sud junior, Arles, 2015.<\/li>\r\n<li>Snicket, Lemony, Forsythe, Matthew, <em>The bad mood and the stick<\/em>, Anderson Press, London, 2017.<\/li>\r\n<\/ul>\r\n","protected":false},"excerpt":{"rendered":"<p>Tematickou \u0159adu zpracovala Univerzita Paris 13 (Francie) \u00a0 D\u011btsk\u00e9 knihy jsou \u010dasto hodnoceny z pohledu jejich prosp\u011b\u0161nosti a vzd\u011bl\u00e1vac\u00edho z\u00e1m\u011bru. D\u016fvodem je v\u00fdznamn\u00e1 role pedagogiky v d\u011btsk\u00e9 literatu\u0159e. Tento rozm\u011br by v\u0161ak nem\u011bl v\u00e9st k opom\u00edjen\u00ed liter\u00e1rn\u00edho, estetick\u00e9ho \u010di um\u011bleck\u00e9ho aspektu d\u011btsk\u00fdch knih. Pocity a emoce se nach\u00e1zej\u00ed na pr\u016fse\u010d\u00edku t\u011bchto dvou z\u00e1kladn\u00edch aspekt\u016f literatury &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/g-book.eu\/cs\/tematicke-rady\/pocity-a-emoce\/\" class=\"more-link\">Pokra\u010dovat ve \u010dten\u00ed<span class=\"screen-reader-text\"> &#8222;Pocity a emoce&#8220;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1169,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1167","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/g-book.eu\/cs\/wp-json\/wp\/v2\/pages\/1167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/g-book.eu\/cs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/g-book.eu\/cs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/g-book.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/g-book.eu\/cs\/wp-json\/wp\/v2\/comments?post=1167"}],"version-history":[{"count":0,"href":"https:\/\/g-book.eu\/cs\/wp-json\/wp\/v2\/pages\/1167\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/g-book.eu\/cs\/wp-json\/wp\/v2\/pages\/1169"}],"wp:attachment":[{"href":"https:\/\/g-book.eu\/cs\/wp-json\/wp\/v2\/media?parent=1167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}